Wednesday, 10 February 2016

Las/wɛl/ kuh m-plee-tist /ˈse·ries | 01

com·plet·ist
[kuh m-plee-tist]
a person who attempts to complete a collection or set,
especially a collector who wants to collect an example of every item in a particular field:


F. Robert Lloyd ‎• Think About Brooklyn


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1. Blind Willie
2. Daly Day
3. Corkscrew Swamp Road
4. Waltzing Kate
5. Lullaby You
6. Bloody Buddy Rumba
7. Four Lives In A Day Suite
8. Proverbs From Hell
9.True Man Coyote
10. La Femme Bachir
11 .Brooklyn Fuss
12. Crossroads
13. Hellhound On My Trail
14. I Want To Drink It Straight
15. Tribute To Sun Ra

F. Robert Lloyd • guitars, words, voice
Sonny Sharrock • guitar, voice (2 to 9, 11, 14, 15)
Jean Touitou • Wurlitzer, Tibetan bells (5,8,14)
Bill Laswell • bass, fretless bass, bowed bass,
guitar sitar, percussion (1,4,5,6,7,8,9,10)
Gregoire Garrigues • Bass (1 to 9, 11, 14, 15)
Anton Fier • Drums (1 to 7, 9 to 11, 14)
Recorded in seven days at Greenpoint Studio,
Brooklyn, New York
Recorded by Oz Fritz for Hish Velocity
Mixed by F. Robert Lloyd, Gregoire Garrigues,
Jean Touitou, Oz Fritz
Produced by A.P.C.

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Format: 320
Country: France
Released: 1993
Genre: Jazz, Rock
Style: Blues Rock, Contemporary Jazz

RBE • Chilla Jones vs Danny Myers



Watch the other battles from this RBE event: http://www.youtube.com/watch?v=MgytqS...

Wednesday, 13 January 2016

Bill Laswell • Fireside Chat

Studio visionary, bass maestro and musical activist: Bill Laswell guides us through his varied and immense discography, from Herbie to Fela.

Red Bull Music Academy


1 Reduction • Material
2 America Is Waiting • Brian Eno & David Byrne
3 Work Song • Bill Laswell
4 Crackin • Last Exit
5 After • Massacre
6 Army Arrangement • Fela Kuti
7 Cosmic Slop • Material
8 Crooklyn Dub Syndicate • Bill Laswell meets Style Scott
9 Rockit • Herbie Hancock
10 Improvised Music #3 • Bill Laswell, Sonny Sharrock, 
Derek Bailey, Fred Frith & John Zorn
11 Blast / War Machine Dub • Praxis

Monday, 12 October 2015

PETER BRÖTZMANN • JASON ADASIEWICZ • JOHN EDWARDS • STEVE NOBLE


Went to an excellent gig last night to see Free Jazz legend Peter Brotzmann.
Haven't been to a gig in long time, a habit I need to reanimate.
Cafe Oto in East London is the kind of venue I like, small with a sound mixer with ears.

Stylo

Peter Brötzmann • alto and tenor sax, Bflat clarinet, Taragato
Jason Adasiewicz • vibraphone
John Edwards • double bass
Steve Noble • drums

Listen to their previous gig at Cafe OTO below:

Sunday, 4 October 2015

Jockey Slut Presents • Disco Pogo For Punks In Pumps Vol.1

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Jockey Slut was a British music magazine which ran between 1993 and 2004, focusing mainly on dance music and club culture. It started as a self-published bi-monthly fanzine in 1993 before graduating to a monthly by 1999, following a buy-out by Swinstead Publishing. By 2004, it had gone quarterly, with a beefed-up web presence, a change which only lasted three and a half months before closure in late May that year.
Wiki

1. Lucky Pierre • Angels On Your Body
2. Simian • The Swarm
3. Turner • My Aeroplane Mania
4. RJD2 • Ghostwriter
5. Roots Manuva • Bashment Boogie (Shadowless Tomz Remix)
6. Savile Robots • Am-Trax
7. DJ Q • The Birth Of A Beautiful Thing
8. Kenny Hawkes • Dance For Me
9. Derrick L. Carter • If I
10. Michael Meyer • Love Is Stronger Than Pride
11. Kiki • Our Time
12. Underworld • Mo Move13. Danny C • The Mexican (Jockey Slut Edit)


Label: Jockey Slut ‎– BP-10542
Format: 320
Country: UK
Released: Nov 2002
Genre: Electronic
Style: Electronic

Sunday, 30 August 2015

Wild Style Instrumental Beats

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For three days in June of 1981, a movie director, a hip hop scenester and a drummer met in Blank Tapes studios in Manhattan and created the soundtrack to the most iconic hip hop movie in history. Named Wild Style, the flick was a collaboration between the aspiring filmmaker Charlie Ahearn and Fred Brathwaite (known around the downtown scene as Fab 5 Freddy); after a conversation at a Times Square show, Ahearn recalls they decided to “bring the hip hop world and the graffiti world together into focus” on the big screen. As a musical curveball, Ahearn proposed what he looks back on as a “ridiculous” idea: Instead of utilizing the popular soul and funk breaks that DJs like Grand Wizard Theodore and Grandmaster Flash were spinning at parties, they would create their own instrumental percussive grooves to score the movie.
To that end, they drafted in the talents of Lenny Ferraro (sometimes known as Ferrari), a drummer playing on the punk circuit who had originally cut his teeth backing up Aretha Franklin and Jerry Butler. The outcome of those studio sessions became known as the Wild Style breakbeats – a series of 13 short instrumentals that are now some of hip hop’s most revered and mysterious recordings.


Dave Harper • Bass
Lenny Ferrari • Drums
Chris Stein • Guitar, Effects

Produced by Chris Stein, Fred Brathwaite 
and Charlie Ahearn


Label: Beyongolia ‎– BEGO 12002
Format: Vinyl, flac
Country: UK
Released: 1998
Genre: Electronic, Hip Hop
Style: Instrumental, Breaks

Tuesday, 4 August 2015

Ol' Dirty Bastard

Shimmy Shimmy Ya!

Ol' Dirty Bastard Gets Muppeted!

Posted by Stanton Warriors on Saturday, June 13, 2015

Wednesday, 29 July 2015

Drum n' Bass


Pls whats happening here

Posted by Aisha Alubankudi on Tuesday, March 3, 2015