Showing posts with label George Lewis. Show all posts
Showing posts with label George Lewis. Show all posts

Monday, 17 March 2014

Derek Bailey, George Lewis, John Zorn • Yankees


A collaborative trio no doubt this was, but both Zom and Lewis have made clear their admiration and debt to Bailey and it is the guitarist who as often as not defines the parameters of these five excellent tracks. The two long items, 'The Legend of Enos Slaughter' and 'On Golden Pond', are both indicative of Zorn's great skills as an improviser; not just a pasticheur or ironist, he is also a first-rate saxophone player, an aspect of his artistic personality that tended to be overlooked in the period between this record and the later Masada project. Lewis is a giant, a player with a huge tone, a complex grasp of higher harmonics and, like Zorn, a dedicated deconstructor of his instrument, constantly experimenting with his component elements: mouthpiece, bell and slides. It's Bailey, though who makes things happen. His acoustic and amplified playing is tight marshalled, fierce and never less than expressive. His first entrances on the opening 'City City City' are breathtaking, and anyone who takes the plunge and samples this now mid-price disc could well find it a taste-altering experience.

Richard Cook and Brian Morton
The Penguin Guide to Jazz on CD


1. City City City
2. The Legend Of Enos Slaughter
3. Who's On First
4. On Golden Pond
5. The Warning Track


Derek Bailey • Acoustic Guitar, Electric Guitar
George Lewis • Trombone
John Zorn • Alto, Soprano Saxophone,
Clarinet, Game Calls


Recorded at OAO Studio, Brooklyn NY
Recorded by Martin Bisi

Label: Celluloid ‎– CELL 5006
Format: 320
Country: US
Released: 1983
Genre: Jazz
Style: Free Jazz, Free Improvisation

Saturday, 21 February 2009

Jill Kroesen • Stop Vicious Cycles



The subjects of Kroesen's songs range from the old Wayne Hayes sex scandal [?] to Alexander the Great, to tunes of personal and political exploitation. On the first side she rocks, rolls, wails, and whines her way through songs with spunky, sometimes bizarre arrangements by Peter Gordon and Kroesen. The mood is now romantic, now introspective, now rollicking, with titles like Honey, You're So Mean and I Am Not Seeing That You Are Here as featured on Soul Jazz Records New York Noise Volume 2, not to mention the thought provoking I'm Sorry I'm Such A Weenie. The second side is contemplative, including I'm Just A Human Being.


1. Wayne Hayes Blues
Rebecca Armstrong: vocal
Peter Gordon: vocal
Jill Kroesen: vocal, Hammond organ
Bill Laswell: bass
George Lewis: trombone
Tony Machine: Tama Drums
David Van Tieghem: percussion

2. I Am Not Seeing That You Are Here
Peter Gordon: sax
Jill Kroesen: vocal, congas
Bill Laswell: bass
George Lewis: trombone
Tony Machine: Tama Drums

3. Ride Your Pony
Don Christensen: drums
Peter Gordon: Prophet 5, organ, sax, vocal
Jody Harris: guitar
Jill Kroesen: vocal, percussion
Bill Laswell: bass
Larry Saltzman: guitar

4. Honey, You’re So Mean
Jill Kroesen: vocal, piano

5. I’m Sorry I’m Such a Weenie
Peter Gordon: sax mouthpiece
Jill Kroesen: vocal, clavinet
Bill Laswell: bass
George Lewis: trombone
Tony Machine: Tama Drums
David Van Tieghem: percussion

6. I Am Not Seeing That You Are Here
Jill Kroesen: vocal, congas
Bill Laswell: bass
Fred Maher: drums

7. Alexander the Great
Jill Kroesen: vocal, piano

8. Fay Shism Blues
Peter Gordon: string ensemble, clavinet, sax, Hammond organ
Jill Kroesen: vocal, piano
Bill Laswell: sax
Tony Machine: Tama Drums
Fred Maher: Guitar
Arthur Russell: cello
Fred Smith: bass
“Blue” Gene Tyranny: piano

9. “I’m Just a Human Being”
Jill Kroesen: vocal, piano

Produced by Peter Gordon and Jill Kroesen.
All songs by Jill Kroesen, except “Ride Your Pony” by Naomi Neville.
Recorded December 1979-February 1982.
Found on a now defunct blog