Tuesday, 27 September 2022
Rare Pharoah Sanders Interview and Performace with John Hicks
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Sunday, 25 September 2022
Wednesday, 7 September 2022
Translations in Dub • A Conversation with Bill Laswell
Ambient translations in dub, Japan in the ’80s, and future music with visionary bass player / producer Bill Laswell.
A few months ago, news arrived that iconic bass player / producer Bill Laswell was in need of help from his fans, friends, and fellow artists. The note, titled “Entering the 2nd phase of Sacred Begging: EMERGENCY,” included details of Laswell’s difficulties over the pandemic with preexisting health conditions, his recent eviction from his Manhattan home, and struggle to hold on to the lease of his legendary New Jersey studio, Orange Music. A GoFundMe campaign was set up and within moments, Laswell’s global network responded with an outpouring of love and support:
“Your records, your performances, your principles have imprinted in my soul and I’m better for it.”
“Bill. Without you, nothing if you ask me. You are a true warrior with a big musical integrity. We need you out there.”
“It’s a damned crime that the man behind so much innovative sound and music is out here in this situation.”
While the casual music fan might not recognize Laswell by name, the artist has had a hand in producing some of the most inventive and sonically adventurous music of the last four decades. “Rockit” with Herbie Hancock introduced turntablism to the world and helped hip-hop crossover to the mainstream. Last Exit, a quartet with Sonny Sharrock, Peter Brötzmann, and Ronald Shannon Jackson, pushed the sonic boundaries of free jazz and ventured into noise territory. Gigi forged a new world pop sound fusing traditional Ethiopian music with jazz, ambient, and gospel. The album would go on to inspire generations of Ethiopian youth.
Read the full interview: insheepsclothinghifi.com
Thursday, 9 June 2022
Monday, 6 June 2022
Bill Laswell Gofundme
Monday, 10 January 2022
Friday, 10 December 2021
Tuesday, 7 December 2021
NY Gong • Material

Temporary Music 1 is the first recording released by the band Material. First off, I have to say that this recording is it. This is the thing that launched me on a musical exploration for the last 4 years that has led me to this -- working on a blog about a book about “The Gomelsky Recordings”.
Maybe you know this album, like I did 4 years ago, and maybe it has been in your collection for a few decades like it has been for me. And maybe you haven’t thought about this record much in quite awhile when you find yourself, me that is, reading another music history book about a prog band that you loved back in the 70’s, and out of the blue is a quote from a guy who made that prog band’s best records. And he says something like “...and around 79 I was recording this band called Material in Woodstock…”. Wait. What?
This is what happened to me late one night in 2017. The quote is from
Eddy Offord, the genius engineer of the most iconic albums by ELP and
YES from the Classic Prog days. (Do we now call it an era?) Those
albums were made in the early 70’s at Advision Studios in London. How
did Mr. Offord end up in Woodstock NY in 1979 recording this unknown
band Material? The answer, as I soon found out in the wee hours of that
same night in 2017 frantically researching this topic, is Giorgio
Gomelsky.
by Rick Rees
Read full article here

